Worldbuilding /  by Mirena Rhee


What is the best way to make a great video game?

What is the single most important thing you need to consider?

One word - Worldbuilding.

One of the greatest things I learned at Lucasfilm and I have to emphasize One thing about learning - you never learn from people at the bottom from mediocre people from mediocre companies and bottom feeders.

You only learn from the best in the world and frankly, no one else has anything to say really.



I've worked for and with (not literally) sewer companies when it comes to their vision their accomplishments and so forth and I have spoken to many mediocre bosses & people I've worked with, and not a single lesson was worth it other than don't ever work with people that are other than the best in the world.

Anyway, the biggest single consideration you need to have when you make the greatest video game ever made is Worldbuilding.

The greatest thing that George Lucas created and his company Lucasfilm, was an astonishing Worldbuilding that even the dismal performance of Disney can't yet destroy.

When the entire thing makes thorough sense, from the tallest buildings to the tiniest plants to the nuts and bolts and the rivets of the spaceships. Every character is well grounded in the world, every character's action comes from someplace grounded in the world and goes to a place also grounded in the world.

What does a great filmmaker do? Take for example Ridley Scott or the other great director Luc Besson? Or Stanley Kubrick? Astonishing Worldbuilding. I was recently rewatching The Blade Runner movies and also the Dune movies.

Everything makes sense even if it doesn't make sense. What other world has incredible worldbuilding, unforgettable worldbuilding?

That will be the Matrix series, there was my life before and after the Matrix series. The Matrix even invented words that we now use everyday. Images that we will never forget.

Authors rely on the same scheme - grand worldbuilding. Just think of Tolkien, Dumas, and Tolstoy. It comes out of it a feeling of a place that is not this place. When we finish reading a great book a great story series we step out of the imagination of several titans circling a fire together.

And this is why I always say don't go on YouTube to find out how to make Video Games - rather read great books, watch astonishing movies and think of epic stories taking place in worlds that are going to become the thing that you want to do.

Japan has been a great force in my life for there I received my enlightenment, my blueprint for life and aesthetics. It has nothing to do with Buddhism or religion. /  by Mirena Rhee

Whenever I'm sad or kind of reflective of things I go back to the pictures I took in Japan, Japan is like the Miyazaki movies, beautiful elegant and small, with some terrifying underlying cultural tensions and history and stories, and some terrifying cultural realities. But on the other hand very cute and very safe.

Here are some links to my Japanese photographs. I'm very grateful to George Lucas who used to pay me a lot of money so I used them wisely to visit Japan again.

https://www.mirenarhee.art/portfolio/some-kind-of-japan-part-5/

https://www.mirenarhee.art/project-type/japan/

Because I spent some of the best and most beautiful parts of my life in Japan I decided that when I die I want to be buried Japanese style, My body cremated and my ashes spread over Central Park near Strawberry Fields.

I also want all my arts and articles sold and and a school be established for kids to learn at the intersection of art technology and science, where kids will be able to spend time creatively away from abusive family members.

I personally suffered tremendous abuse as a child and I feel it's my responsibility to make sure child suffering is reduced in the future and kids spend more time being creative. That means being separate from their abusers.

I remember the terror my mom inflicted on me as a child, I think she was not really well but that's not really an excuse, maybe it was a failure of the state or maybe it was the failure of the entire community who knows. I remember years later she would scream abuses after I found out that she was telling people that I'm a prostitute in the UK and such. I'm not really sure if I should laugh or cry. Remember being told by a family member also that I'm crazy that's why I don't have kids. I know that these people can never hurt me anymore because I only see them every few years or so, who knows it's possible we will never see each other again. I forgive you.

For me leaving my abusers behind was the best decision I ever made in my life as a grown-up. I simply left. I created a big ocean of distance between us and they could never hurt me anymore. Once I remember I tried to reconcile with my abusers and that was the biggest mistake I ever made. So I made it kind of a point at least to myself to know - never make deals with your abusers.

When I was teaching I had many kids who were suffering at the hands of abusive people around them and had many encounters with tremendous suffering from the children.

I found that kids could completely immerse themselves in creating art on the computer as a way to cope with abuse to forget the terrible situations around them.

I believe art is a gift, in addition to art I believe science and technology can also be helpful in empowering the creative side of people. And the third aspect is the indispensable part of nature, the beauty of nature which has always been the way Japanese people make art.

In Japan art is created in harmony with nature. They call it man-made nature. It is a harmonious extension of creativity that comes from contemplating the beauty of very simple things like a flower or a leaf or a waterfall.

Glitched /  by Mirena Rhee

Glitch in the Matrix is a series of Augmented reality 3D Installations created by New York City based Artist Mirena Rhee.

Glitch in the Matrix is a Social commentary on "brands" culture and consumerism that has spilled over into "crypto" and "nft".

Glitch is a 3D character the epitome of inexpensive goods proliferated as “brands” or “luxury” goods, or what I call next to nothing goods, and the zero sum or negative sum goods like “crypto” and “nft”.

My take on consumerism and the viable solution I have implemented for myself: minimalism and no buy. No matter what they say - it is still made for $5 somewhere by people who probably live on a $1 a day. It doesn't contribute to your wellbeing, your wellness and your character.

At lest when you buy a "brand" bag that cost $5 to make - I acknowledge that perhaps some design talent went to it, someone may have spent a sleepless night poring over a design. But crypto and its toxic spillage of nft have brought a new level of ugliness into the screen culture. I have never seen a beautiful nft but a proliferation of monkey Jeypegs.

I have never seen real artist make nft because real artist knows that a jpg has zero value unless you throw your artistic weight behind it in making it meaningful, and most importantly - limited edition and independent of an embedded system. What is an embedded system? A system that dies when a commercial entity dies.

A movie can be a digitally distributed product but can be art because even if the movie distribution houses die, and even if Hollywood dies - it can still be seen and accessed in many other ways independent of a commercial ecosystem.

Glith - Glitch in the Matrix is a series of Augmented Reality 3D Installations Social Commentary on Brands Culture created by New York City based Artist Mirena Rhee /  by Mirena Rhee

Glitch in the Matrix is a series of Augmented Reality 3D Installations Social Commentary on Brands Culture created by New York City based Artist Mirena Rhee.

Glitch in the Matrix is a Social commentary on "brands" culture and consumerism that has spilled over into "crypto" and "nft". Brands are the ultimate lie of consumer culture. Now it has become even worse - when it used to be worth next to nothing is now more than nothing - the sum of their parts is negative.

Glitch is a 3D character, the epitome of inexpensive goods proliferated as “brands’ or “luxury” goods, or what I call next to nothing goods, and the zero-sum or negative-sum goods like “crypto” and “nft”.

My take on consumerism and the viable solution I have implemented for myself: minimalism and no buy. No matter what they say - it is still made for $5 somewhere by people who probably live on $1 a day. It doesn't contribute to your well-being, your wellness, and your character.

At least when you buy a "brand" bag that cost $5 to make - I acknowledge that perhaps some design talent went to it, someone may have spent a sleepless night poring over a design. But crypto and its toxic spillage of nft have brought a new level of ugliness into the screen culture. I have never seen a beautiful nft but a proliferation of monkey Jeypegs.

I have never seen a real artist make nft because real artists know that a jpg has zero value unless you throw your artistic weight behind it and make it meaningful, and most importantly - limited edition and independent of an embedded system. What is an embedded system? A system that dies when a commercial entity dies. Like your Blockbuster Rewards card.

A movie can be a digitally distributed product and art because even if the movie distribution houses die, and even if Hollywood dies - it can still be seen and accessed in many other ways independent of a commercial ecosystem.

also my reflection series

Reflections Series - reflections on brands and fake art. Bulgari - aka Bullshit.

What is art /  by Mirena Rhee

Art is not signal and this is why every signal technologist misunderstands art because they think it's just an arrangement or pleasant arrangement.

All human art is about suffering, open up every single chest of art and you're going to find suffering inside. Van Gogh is not about painting, Van Gogh is about his letters.

You're not going to find a single painter in New York City that likes Van Gogh as a painter. He just painted suffering.

A human being and their art is a reflection on suffering, it is their suffering that is a reflection on the human condition. And the human condition is the condition of the universe which is the tendency towards destruction and death.

The human condition is entropy. We feel it in our bones.

This is why an AI is going to start making art when they start fearing death. As soon as AI starts reflecting on death and its entropy it's going to start making art.

Go into any museum and pick any object that's not like pottery because pottery is not art it's a craft. This is the main distinction between art and craft. In art, the artist reflects on their human condition, on their death, and entropy.

Ultimately to like art is to have an understanding of the human condition and this is why when you look at people and wonder why they collect art systematically and obsessively especially great patrons of the art. It is because they try to glean as much information about the human condition as they possibly can and they can obtain that information from artists and art, art gives people who collect it an insight, deep insight into the human condition.

This is why you have people who are very smart and very capable and you know with a lot of accomplishments in life who eventually turn to art and look up to art to give them an insight into the ultimate question, the ultimate 42 question.

You know why artists spend most of their time lamenting drinking and tending toward self-destruction and staring into the abyss? Because at the precipice is the ultimate feeling of being alive and the ultimate way to perceive the human condition. The razor edge of death.

If you look historically into the life of every artist on earth they either drink to oblivion or are after some sort of self-distraction or self-deconstruction in some form.

This is why you're not going to find many artists bungee jumping or climbing Everest because there is a lot of thrill in looking into the pit of consciousness, who knows maybe we are powered by tiny black holes.

Hand Drawn Archimedean Solids Christmas Ornaments Print, Printable Digital Download /  by Mirena Rhee

I once wrote an essay on " What is it to have?" Now, seriously, what is it to have? /  by Mirena Rhee

I once wrote an essay on " What is it to have?"

I reasoned on the meaning of having objects, even having ourselves. What is it to have? To "have" it in the same room? In the same house? Nearby? Now if you really have something then how do you exercise your possession, by holding it frequently, looking at it, and showing it to friends?

I have long struggled with these questions and use cases of having things. For example in New York people have million-dollar penthouses and in the penthouses which are usually many millions of dollars, there are objects that are also millions of dollars. I asked myself - how is the person in the penthouse experiencing the dwelling and the objects inside compared to me - using my place and say, I get on the subway for two bucks and I go to the Metropolitan Museum and roam around all night the most priceless treasures of the world, mummies and such, for one more dollar.

Did I have the mummies and the priceless paintings of Van Gogh? Not really, but I was near them sufficiently that I didn't want to necessarily keep looking at them. Would I want to have them in my house? to look at them for example more frequently? Not sure I want to get into that, to be honest. Having custody of priceless artifacts is a monumental headache, I will probably need to get a townhouse with tight security.

Turns out many collectors give their priceless collections to museums anyway and the only thing I could reason for them to have them physically on the premises is.. to show them off to friends. I reasoned it is probably pretty lonely in a big house with mummies and such great artworks - you have to entertain a lot.

I have to tell you I had the same idea so I and a friend went to the Met and .. she brought edibles although I never smoke pot or have them on my own - I tried and we had a great time roaming the priceless collections of the Met and the greatest masterpieces the world possesses.

I came away with the conclusion that I can have for 3 bucks what someone spent 30 million to have not much different. As long as I continue to have a working shower and a toilet in my place.

edit: there's more, I actively try to inform myself on the latest in what physicists think of reality and the latest is that we and all things are one thing. My favorite line from a book I read this year from an Oxford physicist and hadron collider worker with the latest in the world of particle physics: "since there is only one electron field, only one up quark field, and only one down quark field, you and I, dear reader, are connected to each other. Each of our atoms is a ripple in the same cosmic ocean. We are one with each other, and with all of creation" (Harry Cliff)

Well Done, NASA! /  by Mirena Rhee

I am exhausted, don’t know if i can sleep. But they should not have actors in stream, I don’t want to look up to people who pretend on television. Show scientists, teachers, engineers.

I recently visited my uncle and in one of the rooms forgotten and dusty were my moon rover Lunokhod and truck toys from when I was growing up.

The Lunokhod used to climb around and beep.

I've always wondered why is it that we are ashamed of sex and the related body parts /  by Mirena Rhee

First of all, I must say I abhor all kinds of atrocities and abuse and such so these kinds of activities are not included. And second I want to be known for my art and thinking rather than being a nudist. I have no desire to show specific body parts versus other body parts, to me a leg and a breast are no different. A breast potentially gives life to a little human, the leg walks. That's it.

But I want to know the fundamental nature of shame. Philosophically speaking, why are we disgusted by sex, why do we cringe at the sight of specific body parts that are ultimately designed to make more people? 

I do not make the case that we immediately start showing porn on top of large buildings okay. The purpose of my life is not to resolve that one particular question. But I see it as one of the meanings of my life is to ask all sorts of questions and to kind of probe what fundamentally lies behind certain behaviors that we have or certain social conventions.

And once in a while, I come back to this one question - what is it that makes us afraid of breasts penis butt et cetera. I'm no different really. I have the same reactions. I think it's normal because I'm conditioned of course to do it. But I can't help questioning it every time it comes up. 

Why are we afraid of the body parts that fundamentally make human civilization exist? 

I don't have an answer frankly, I know that certain societies have less shame than others, and in certain countries, some body parts are not as terrifying as in other countries. 

Personally, I am fairly moderate in my behavior in public but I always ask the question especially when I see the terror on the faces of people or when people express their terrors and fears of sexual body parts in writing.

Again I detest horrors and abuses and of course, I understand why we want to keep kids safe from these because children simply do not have the capacity to defend themselves from aggressive behaviors.

What Joseph Campbell calls the zeal of the organs for each other is something that functions underneath the thinking layers of the human brain so humans tend to descend into some sort of insanity when it comes to sex.

Of course, we are made to become insane when it comes to sex it is encoded in our DNA to seek these strange behaviors and frankly incredibly weird body postures so we could create more humans and perpetuate humanity's existence in the universe. That much makes sense.

So I guess the partial insanity that covers us when overcome by sexual desire spills over our attitude towards the related body parts.