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Xquisite Corpse Act One - Today /
Xquisite Corpse Act One - Today
As part of Xquisite Corpse Act One I wore a white canvas dress on the streets of Manhattan and asked New Yorkers from all walks of life to write me a message. From the delivery guy on East 51st street, people waiting to be seated for lunch on the Upper East side, the doormen of Radio City hall, patrons waiting for their limousines at the Art Fairs, to the amazing person who literally dragged me inside the Armory Show, to visitors of Scope - New York, to a bar on 6th ave, to the cashier at Trader Joe's on 23rd street.. In 15 languages and almost 200 messages, we wrote the poem of our collective subconscious and I called it Today. Thus, the Xquisite Corpse Poem was written and Xquisite Corpse Act One was complete.
Roadside Attraction /
Roadside Attraction is an installation I thought of several years ago as an all American, amusement park type of work, a show on the side of the road or a trailer that could be part of a country art fair. Could be even setup on a remote country road, away from traffic or even in a field. Without and far removed from formal art experiences but using the materials and methods that belong in an artist's studio, and, of course, the provocation. Roadside Attraction was conceived as a spectacle at a truck stop. I have always been fascinated by American truckers, hauling large trailers on American highways. Last year I drove solo 3000 miles from Florida's Space Coast to the Silicon Valley in California where I spent a large portion of my life in a not so distant past. While on the road I had plenty of time to think, especially driving through West Texas, New Mexico and Arizona. I am convinced that at that moment I had the tiniest car in all of Texas, In one small dusty town I suddenly feared that cowboys, who were prowling the nearby hills hunting boar, may actually decide to shoot my tires for fun.
So Roadside Attraction has probably lingered on the back of my head ever since I started moving across the Untied States - I once crossed the States along highway 80 ( Kansas, Colorado, etc) and once along 10 ( Mississippi, Texas, etc ), of course not counting flying. Mississippi had absolutely the worst roads I had ever come across as far as Federal Highways go. I thought I had broken an axel - my little Hyundai was shaking so bad and I was in the middle of nowhere in the deep south with a tiny car full of stuff.
Remember the Giant Hands in Beacon project - one of my favorite projects to do and with great and gentle results /
Month-long, site-specific installation in Beacon, NY, created illegally inside Dennings Point Ruins. Due to the fact that it was created in a State Park - I had to setup from scratch every morning and fold everything every evening, leaving no trace. Hence its ephemeral, and inherently mobile and shifting nature. I apologize to the state of New York for not applying for the permit they would have never given me anyway. That's why I didn't ask. ..................
While hiking in the area I found the most beautiful space - abandoned brick factory which has been taken over by nature.
While passing by I only saw a brick wall, partially collapsed and had no idea the area just around the corner held this amazing environment.
I walked by, the place called me and I answered. It's my magical forest sans the mushrooms. I was in love and spent much time here.
They call the place Dennings Point ruins, I found them much improved though, and much more beautiful. imagine the sheer mundanity of a brick factory building with all the brick making stuff in it. Now it has been beautifully rearranged by nature and you have the most lively soundscape too.
It was made so much more beautiful. …
Art is about a punch to the stomach. I figured what the difference is between art and art, art gives you a punch so when the art is absent and the artist is absent you still hold the image in your head. You say ah!
If there’s no ah it is just making stuff, or being creative which is of course absolutely valid too it just isn’t all that interesting.
I loved being in this place, in the company of bushes, crickets, birds, wind, greenery, ruins, graffiti, and random humans.
To create a brand new visual experience, and fleeting.
I loved the sounds of the space as well, it's like nature was pushing its way into the building but couldn't take over and get all in.
Plus I had the local bullies come in and complain about the yuppies coming to their town, and to be honest I was scared but not terrified but my friend freaked out so i had to start folding. I will make sure to come alone next time because I do not care to "burn with my art" - this was the only time I have been threatened to be burned with something I created so I feel it was quite special.
And then the cops showed up, they were really nice.
On the other hand the local shuttle driver for the college took us to the bar up the hill completely free and out of the goodness of their heart which was great, and the bar was great too - I loved the food and the ambiance because there was nothing pretentious about it, and with great tasting beer.
Not affiliated by any stretch - but would love to be - Meyer's Olde Dutch Food & Such.
Happy New Year from Memory Replacement - what an amazing day and we will multiply this one x200 in the new year /
Here you can see the dress from Memory Replacement - an amazing result from an incredible New York experience. Memory Replacement world trade center performance with public participation - dress by Mirena Rhee
Happy Dancing in the New Year /
The best of 2018 /
And Happy New Year from Memory Replacement !! Happy New year, thanks to ever amazing adventures and most of all people who helped me create - hope to be ever more unknowledgeable, ignorant and unsuspecting of things in 2019
#happynewyear #happynewyear2019 #bestof2018 #performanceart
#memoryreplacement #mirenarhee
#installation #InstagramNYC #newyorkcity #newyork #artnyc #art
#fineart #exhibition
#performanceartist
#paintwithyourheart #oculusnyc #oculus
#artlife
#discovernyc #newyork_instagram
#newyorkcitylife #artlife
#worldtradecenter
#worldtradecentermemorial
#myart #newyorknewyork #newyorkcitylife
Hands of God - acrylic on canvas, 96 x 96 inches /
Mirena Rhee, Hands of God - acrylic on canvas, 96 x 96 inches A Giant Hands of God painting, It's a kind of a puzzle actually, a hand conversation.
I took a rhizomatic view of Michelangelo's hand of God, almost a Tesseract.
In other words nothing here is an accident and there are no 2 gestures the same color.
We hold the world in our hands, we can create we can destroy, it is only about the other side of the hand, the mind. The mind can gesture things into Oblivion or conjure miracles, especially today with the press of a button.
[video width="1080" height="1080" mp4="http://www.mirenarhee.com/blog/wp-content/uploads/2018/12/MVI_7096.mp4"][/video]
Pushing paint around, it gives me the kind of adrenaline rush which is inexplicable. it's a natural high, a byproduct of producing single wavelength of color with your fingertips. I think Dali talked about this in the past that the high of making artwork is so intense that really can't be matched but taking any drugs - not that I've ever taken drugs it's just I feel intensity about anything in the world without any external means
no to violence /
We don't want to be replaced but we want to be changed.
The soft touch of a wing, The light touch of a brush and a light stroke. The word of a friend, the whisper of a soft fold on a wing. A nod to a future with beauty, a reflection on color and gesture of goodness and friendship. A soft stand against violence. We draw brushes and our holsters hold paints.
In the spirit of Thanksgiving - leftovers /
Happy Thanksgiving!! I am thankful for all of you who painted and for all of you who will paint on the 200x. I had a bit of a calm this thanksgiving to think and plan and as always reflect on what was and what is coming. One of the greatest insights I had in the Silicon Valley is that reproducible work, even work of the highest quality, diminishes in value very quickly. One of this things I wanted to do is work that is highly irreproducible. A mix of materials, quality, process, ideas, actions and results that may not be easily reproduced. Even work of ephemeral nature which requires a special set of circumstances rises in value owing to its rare nature. I am very grateful for that insight, as well as for being able to follow up on these ideas, and which I have been able to further with the graceful and generous participation from all of you. Thank you.
Memory Replacement - Roaming Installation and Performance with Public Participation at the World Trade Center Memorial site in New York city. Making of Leftovers.
The brush is one of the wonders of the world, and the hand its master. Final look of the Dress /
Memory Replacement - Roaming Installation and Performance with Public Participation at the World Trade Center Memorial site in New York city - Final look of the Dress
Memory Replacement - Roaming Installation and Performance with Public Participation at the World Trade Center Memorial site in New York city /
x200 soon
#memoryreplacement #mirenarhee
The most incredible day in my life will never be erased - Memory Replacement Roaming Installation and Performance with Public Participation at the World Trade Center Memorial site /
Small Step /
Hands in Central Park – the first day with the hands in Central Park /
I had only three hands with me this day and had them go over several railings, asked a few tourists to help me out with making some of the shots.
Hands Waterfall in Central Park – The Second of three site-specific installations I created in Central Park on October 10th /
Hands Waterfall in Central Park - First of three site-specific installations I created in Central Park /
Hands Dry Waterfall First of three site-specific installations I created in Central Park.
Named this installation after a poem from Hyakunin isshu that read: “Though the sound of the cascade long since has seized
we still hear the murmur
of its name”
Did three installations yesterday, started 6am on the south east side of central Park and hung the last in the middle, didn't want to annoy the central Park staff as I worked without a permit so I let installations stay for an hour or so/ let people take pictures before I took them down and moved on. Had great conversations with people's from all walks of life, ages, and corners of the world including fishing for caper s with a 10 years old.
The first in a a series of impromptu efimero structures around Central Park that I did yesterday, I haven't really picked locations prior so when I saw something that looked interesting I decided to throw the hands in, with the generous non interference from the park staff, it was a very peaceful day with a lot of energy and interaction with a lot of people.
I did not have a permit so very glad Central Park staff did not really harass me but they did start cutting grass at some point so I had to leave. I wouldn't really know what to ask a permit for since I don't work with a plan I basically decide on the spot what to do with the environment based on that very environment so the work is very spontaneous and efimero and I'd like to keep it that way I don't want to plan it and I don't want no execute a plan it's just not interesting.