Albrecht Durer - What beauty is, I know not, though it adheres to many things. by Mirena Rhee

What I dreamed of reading Arthur C Clarke and Asimov growing up. These Raptor engines in the Elon Musk video are one of the most beautiful things I had ever seen and I don't know why. I am an artist so light years from any plumbing... But the plumbing has integral beauty to it I can't pinpoint.

Inherent beauty.

My parents were engineers with three Master's degrees among them, and my dad was a manufacturing engineer and the CTO of a large company. One of my grandfathers was an inventor with a silver medal from the London exhibition from 1907 and a street named after him, my other grandfather - Marin, who I was named after - was an architect, a painter, draftsman, a businessman, and a genius in my opinion. 

I've always had great respect for math, technology and engineering although I was not a good mathematician. I went to mathematical high School but math just wasn't my thing, but drawing was.

I went to architectural School where I constantly annoyed my professors with insane sculptures that were supposed to be buildings.

In my book Art Life and Video Games I have a chapter that speaks to the fact that every great artist in history has been a great engineer of their work as well. Every artist that has had an impact has paid great attention to all the technical aspects of the execution.

But I still can't figure out in what way these raptor engines are beautiful. I have a very very old drawing that really reminds me of these engines and I must dig it up from someplace.

It really is a great and very nice conundrum to think about, is there inherent beauty or is it all in the eye of the beholder? Would, say, Michelangelo be as fascinated? I'm sure Leonardo would be stoked.

Entropy

Recently I was reading an article or more like listening to an article about quantum phenomena and time and the physicist was saying that time really is only either increasing or decreasing of entropy.

So I think that entropy and the control of entropy and whipping entropy into some sort of anti-enthropic construct has something to do with beauty.

Because we could almost instantaneously tell order from disorder. We could instantly tell if something is orderly versus something is messy. There are orders of magnitude to the control of entropy.

The lower order of control of entropy would be simple order, like stacking boxes, the higher order of control of entropy would be engineering, and the ultimate balance of, and the tip of the blade of entropy control, would be art.

Artist and Quantum Physicist talk, on reality, shadows and rebellion by Mirena Rhee


Things are not what they are.
All we see is shadows.
Our job (as artists) (and not just artists) is to learn how to see and peel more layers of reality.

I have always said that art is about truth, you will need to share the most truthful thing you currently have in your possession. You have to face the world in a very radical way to make any headway in art, I don't know about other areas of work but I do know that all the Mavericks of technology did face reality in a radical way by employing first principles, asking radical questions and dismantling the old ways.

And I think this is what this talk is about, I'm not saying we should renounce reality but I'm saying that if we are not informed, if we're not well informed, then we're really behind instead of being at the forefront.

To be a creator is the greatest power in the world by Mirena Rhee

I am watching the Olympics and remember my visits to Japan. My last visit to Japan changed my life forever. This image of Mona Lisa forking a strawberry I took in Odaiba. I don’t know why it took Japan to give me a direction in life but thinking about it over many years – Japan has influenced the life stories of many artists. Its aesthetics and very strong vision on things from tea to video games. Japan also has very strong values, many of which I don’t agree with but I do respect.

To be a creator is the greatest power in the world.

Don’t be worried about anything else.

I have always appreciated the sense of humor of the people in Japan. This photograph of the Mona Lisa I took on my first trip to Tokyo. She is eating a strawberry with a fork.

The model in this picture has been dead for over 500 years. Why do people still care?

This one hit me like a brick on the head when I visited, three times, a once in a lifetime exhibition of Michelangelo at the Metropolitan Museum of Art in New York. It was the Met’s gift for us for the Holidays.

There is no greater power in the world than that of being a creator. When you are a creator you are in control. Everything else is an agenda fed by someone else.

We are constantly told by media, papers, whatever visual and auditory space available, that we should be eating, drinking, remodeling kitchens, buying and saving money, I think that one last thing has in such a great way deformed our consciousness that there is this anxiety that we have to be constantly on the intake. We walk around with this anxiety for the next intake, I am astonished by the amount of time and energy spent discussing, cataloging, and planning past and future meals, and the acquisition of objects.

Yet, there in the dim light of the Met were these really faint (by modern standards) marks on paper that produced in me such great pleasure to observe and contemplate them, and I bet in others too, judging by the crowds. Really, nothing of substance at first glance, certainly nothing to be chewed on. Just marks going here and there, up and down and in circles. These markings, however faint, produced great emotions and appreciation. Pretty wondrous effect given that the author has not been around for the last 500 years and hardly ever comes up in conversations and on television.

The greatest power in the world is the power to create, we have hardly control over the first 20 years of our lives, we are placed and educated somewhat unwillingly and the only thing we can truly will is something of our own, something no one has ever produced before us and no one ever will after.

Kids directly engage the world, they immediately embrace brushes and fun and engage the world through play. I always tell kids whenever I teach my technology stuff - technology is just a tool. Learn how to be a creator. The creator is in control and this is the only true power in the world. When you are a creator you are in control. You hold the magic cards. And the wand.

As a creator, you are in control, in the driver's seat.

As human beings we are more, we are more than the sum of our parts, our DNA, our muscles, and our urges. We can apply sustained effort to create, for creativity’s sake.

When I first saw Michelangelo’s Sistine Chapel I was floored. What is in it that makes people 500 years later be astonished out of their minds, in silence.

Sistine Chapel is not a particularly large structure, St. Peter’s in Rome is much bigger and greater, yet, after sampling room after room after room of the great treasures at the Vatican, the Michelangelo frescoes completely overwhelm the mind. Why is it, what’s in there? I remember standing down there amongst equally astonished people from all over the world who braved the lines to come here and pay their respects to this great artwork, looking up and marveling at the power of this thing.

What is in there is the creative power of Michelangelo. Hundreds of other painters could have used the same exact paints, brushes, themes. But it is the power of his imagination and the dexterity of his control as a creator that really takes us.

And now that I have come to measure my levels of astonishment at various things, I have realized the greatest sustained power in the world is the power to create. The same power that made people line up around the block to see a movie with silly spaceships and whooshing and beeping. I mean, there’s a character in the movie that only spoke in beeping. This is the power of the creator to pull the curtain over our eyes and create magic.

So what is the point of having the keys to the magic kingdom - the point is to be empowered as a creator.

The most important job of the creator is to develop a taste. And then to use that taste to overcome the mundane. If you stay entirely with the mundane as a creator but without taste - you can end up making kitsch, or worse - Windows. Okay, just kidding.

It is important to often re-calibrate our consciousness because it is so overwhelmed by ordinary things. We end up using these literally magical devices to stare at cats.

There is an insight into the meaning of tools and technology in our lives from an Indian teacher. He says machines are Yantras, deities that enhance what we already are, we are enhanced beings.

So what is the problem with technology? People often complain and the media propagates this spiritless image of humans mindlessly staring down into phones and devices. We are bored already after a playlist or two and surely fatigued with pictures of french fries stacked against stadiums.

But can you imagine Steve Jobs (rip) or Elon Musk scratching themselves on the back of their heads with their phones, bored out of their minds?

This is what it means to be a creator, you use technology to be in control. You are only in the driver’s seat when you create, when you generate output. It is a one-way street, it is a drainpipe with a one-way flow - you are either on the intake or you produce.

I had the privilege of teaching very little and very bright kids recently, and when kids are super bright there’s no hiding, all is reduced to a string of truths. I tell them that no matter what software they learn or what sort of science they master - they need to be aware of the fact that the only true power in the world is the power to create. When you are a creator - you are in control.

When you are a mere consumer you are at the mercy of what has been generated for you. When you are the creator, whether you create objects of the mind or make cakes - you are in charge of the content and the process. You can use your faculties to get better at either. Software is just a tool, the computer is just a tool, once you have learned how to use a couple of different software products - you get clarity on the principle and you can quickly grasp any other.

To be a creator requires a lot of mental and physical energy, it is a lifestyle and it can’t be done just a little bit.

Be 100 percent in control 100 percent of the time of the most powerful intelligence on earth.

Painted apparel - My Painted Shoes, Backpack, T-Shirt, soon bag by Mirena Rhee

The same paint that goes on my giant hand paintings goes on my shoes, backpack, t-shirts. I have paint testing pieces of canvas and thought I could make a canvas bag out of them. Just for fun really, because I don’t like any other brands, other than my own.

My clothes get paint on them all the time and I realized I just can't control the mysterious splashes that appear on everything I wear, so I decided to control it at least.

The backpack is the busiest, the shoes I am the most happy with and I get a lot of attention and compliments in the city, That's why I decided to go very simple on the T-shirt. After all I don't want to look like a carnival.

Any artist please beat that little leaf in beauty grace shape color it's so simple it has the makings of the entire universe encoded in its configuration. by Mirena Rhee

Any artist please beat that little leaf in beauty grace shape color it's so simple it has the makings of the entire universe encoded in its configuration.

I was listening to an amazing lecture about quantum fields so it turns out the universe is literally a mysterious ocean built on mysterious layers of liquid substances sloshing around yet even more mysterious bubbling nothing.

Any artist please beat that little leaf in beauty Grace shape color it's so simple it has the makings of the entire universe encoded in its configuration.

I believe expressing your Civic opinion is a privilege

in a great democracy like ancient Greece women had no voice in the Civic discourse and left very little in the course of philosophy and human thought. We have a lot to catch up with.

I'm very picky when I vote, I really vote for people with ability to form strong opinions strong ideas and defend them. So when I see people for example on social media not actually hammering down on their ideas but blobbing on about shopping and cakes, than this is not a person I will ever vote for even though I might like them their opinion their education background etc.

It’s a war and not a mall.

People who have ideas burn. I have tons of ideas and I've never been ashamed to share them, people may disapprove and shame me sometimes even if I do illegal art or gorilla art or express you know novel ideas and desires to probably make changes in the world and I often times question things and argue especially with drones.

You don't want your artists to be drones and you don't want your politicians to be drones.

One thing is for sure I will never shut up, and I will never put up, no matter the cost.

Vote

This is what Barnes & Noble thinks women's interests are, vagina stuff. No science, technology, spaceship and startups.

This is what Barnes & Noble thinks women's interests are, vagina stuff. No science, technology, spaceship and startups - aprons and vaginas.

This is what Barnes & Noble thinks women's interests are, vagina stuff. No science, technology, spaceship and startups - aprons and vaginas

So we are in this radiant cosmic ocean surrounded by mysteries of enormous scale and Barnes Noble thinks that we are still vaginas and aprons interested in Snowhite. The Snow White ideal where the woman sleeps literally have a sleepwalking life while the world enjoys themselves with all kinds of action and adventure. Then she wakes up and starts making soup,

I wanted to tell all the Gordon Ramsey fans out there that if making soup was a big deal then the Medici would have been cooks.

Yeah, I know, I'm the enemy of all utensils and ladling. How many times have you seen Einstein making pancakes?

II don't know, very few people have black holes on their shopping list. I do. Sometimes I love to throw in a few spaceships and qbits.

Andrea Ghez from UCLA, in 2020, became the fourth woman ever to be awarded the Nobel Prize in Physics … for supermassive Black Holes research! She’s really fun.

Here are three super awesome lectures of hers, people used to laugh at her and she had to fight for access to the telescopes. Trailblazing is hard:

Spontaneous ATM Art on the Lower East Side in Manhattan by Mirena Rhee

#art #nyc #les As you know New York City itself is art it never tries too hard, around every corner on your gallery crawl you will find most likely art that's much better than what's inside the gallery. It is a spontaneous combustion without the hurt.

Would you take money out of this ATM? The bills probably come out all graffititi, the numbers are scrawled in cursive, there’s a hamburger face instead of a president, and the receipt has spray paint drip.

Spontaneous ATM Art on the Lower East Side in Manhattan

Spontaneous ATM Art on the Lower East Side in Manhattan - detail

New York City by Mirena Rhee

New York City

Most beautiful things just can't be bought. And the most magnificent things in life just can’t be bought with money. If you make a pile of all the de beers in the world they're going to be less beautiful than a flower and if you put together the riches of the entire planet you're not going to be able to make a summer sky in New York City, where the clouds are golden the shadows are purple and all the gray buildings are showered in light.

New York City is full of so much joy and it's an endless theater of magnificent human beings, for some reason we're so so different in terms of cultures that we've come here from but we all like to play in the park.

I see all these people playing games exercising their you know great bodies showing off dancing chatting walking their dogs running having a picnic on blankets.

Can't imagine myself living in suburbia, behind the screen door, and with endless kitchen cabinets, I can't give up the best the most interesting theater in the world which is New York City itself.

I realized New York city's back because the train was packed.

In New York City you never know what's going to happen and anything can happen at any moment.

Happy Memorial Day - I made a small drawing to celebrate human exploration on Mars. It is called A Hand In The Sand. 8 x 11 in - pen and ink on board, 2021 by Mirena Rhee

Drawing is one of the oldest ways of expression for humankind, from cave paintings to scripts on clay tablets to hieroglyphs to the ideas of Leonardo and the drawings of skyscrapers.

Human beings have expressed ideas through drawings since the dawn of time.

In the world of ideas, everything is possible and this drawing is an expression of that possibility.

The hand is set in soil of tiny squiggles and they're even a few rocks there.

I use a technique of drawing that is one of the oldest used - it goes back to the reed pens of 400 BC.

The different types of crosshatching express natural versus man-made, or to be more precise, machine-assisted.

Entropy vs order.

A Hand In The Sand.

8 x 11 in - pen and ink on board, 2021

The Best Artist steps in and I step out, for a sec by Mirena Rhee

One of the reasons I didn't, for now, want to continue with the installations in Central Park is because the best artist that ever was which is 

Nature had to step in with Spring.

It was time for Nature to step in and unfold its incredibly beautiful art which is blooms and flowers and trees so I wanted to defer to that. We are so advanced technologically, we can’t make a leaf or a twig from scratch.

haha

I am also working on my book projects, especially a new book project I have been working on in my mind for a long time which is Minimalism, my 3D School project as well as essays, paintings, and many other things. Going back to my 3D School project is a lot of fun, it will be a way for me to stay with 3D, which I love, computers, and Video Games.

I've been wondering why so many bright adults engage in computer science coding programming and related disciplines. And I figured it out. 

Computer Science is a game, 

a brilliant game with a partner that never sleeps and never forgets. No wonder so many kids engage in video games, no they don't really play versus human opponents, they engage with the machine who serves tasteful bits at regular intervals never sleeps never forgets it's never busy with other stuff but to serve.

Back to Minimalism, another topic I have been living with but not writing much about and I recently felt that 

21 century needs a good guide to Minimalism

and I am going to write it.

I live a minimal lifestyle and minimalist philosophy has come to inform my artwork has become part of the way I live and become a part of my art.

Over the years minimalism has become a way of life for me and minimalist philosophy has become a part of my life and also informs my art. I won't mind installations and my performance work to have the minimal possible carbon footprints and therefore remain fleeting and ephemeral.

The reason I committed to minimalism and left my six-figure job is probably not what you think. The main reason is that

the temptation to not do art is great,

historically very few wealthy people have done great art that has remained. I believe that making great art is about the mentality of a kamikaze, a singular way of operating. This has absolutely nothing to do with poverty or wealth or whether the work sells well. It has something to do with what I discovered about myself, and the fact that I operate better on the verges and thin ledges.

Having a good time is really compelling and I have to say I enjoy it too much. I will always have to fight my tendency to get complacent when I do well. 

Well, while practicing minimalism I discovered that it works on many levels.

A minimalist way of life ensures that you think about the right things.

 When I had a lot of possessions I used to worry about them all the time. But the questions is - do I want to worry about pots and pans and couches when the world is so incredibly interesting, there are so many fascinating things happening, there's this enormous wealth of past present, and future information, I don't want to go into the nothing without learning about all of it. 

My yearning for freedom and knowledge is just greater than anything I can buy. 

I feel like Diogenes without a barrel so it makes for an interesting life.

Minimalism has many practical applications and moral principles. Minimalism also applies to social media but also the very basics of life - sustenance. 

Over the years I have developed an attitude towards food, I have been a vegetarian all of my adult life and later my attitude towards animals in general changed but this is another topic. I have decided that I will not consume meat of any kind, I will eat primarily raw vegetables, fruits, and small amounts of fish, and will eat organic. I will also limit my meals to once a day. 

Once I built this framework it took a lot out of worrying about sustenance. It served many purposes - it eliminated kitchens, pots, and pans out of my life, and the many rituals connected to this dreadful timesink. Now I only have to worry about a meal once a day.

I don't want to think about or worry about food beyond 5 minutes. 

What am I gonna eat?- same -done. 

Food is a persistent worry and time-consuming activity anyway, I don’t want to burden it with frills and meaningless rituals. Once I figured it out once and for all - it freed my brain to worry about other things. Wait a minute, this also eliminated any need for servants or kitchen help down the road.

When I started living a minimalist lifestyle I did it out of necessity in a kind of wanting-feeling to be free of all the useless possessions I have accumulated, a very natural desire. I wasn't sure if I was going to get a couch again. All my actions were rooted in reason. There's not much space in New York City so I better have not much stuff. I've left a six-figure salary behind so it makes sense to operate on a smaller scale.

When I wrote my A Journey Into Zen book I didn't originally intend to include the possessions part.

All my convictions grew naturally observing the world studying how I work in the world.

I was very sure though for one thing that I will never get a television again. I believe the cost of television watching is so high that even if they pay me a livable wage I won't do it.

Incidentally, the realization that the smaller screens have come to replace the television screen gradually materialized.

I recently decided to think very critically of my social media use, and social media in general. I discovered one thing about it. 

Social media apps have become much smarter than me.

I found myself thinking of stuff I have no business or interest in like trends and hashtags. What? I found my thoughts intruded upon by ads, especially underwear and bras, and all kinds of nets for my brain that these apps have placed around me. They are 

Brain Traps!

You know I have no business thinking of my next bra or underwear when I am looking at Michelangelo or the next exhibition I wanted to go to. 

In fact, I can make this statement very confidently - 

ads don’t work for the betterment of humankind but to its detriment.

Ads need to die, I certainly don’t feel like helping them live. I don’t monetize my YouTube channel and cling to Facebook only for now thinking of how to replace the social media aspect of my public life with something meaningful.

I also recently read some advertisement piece about celebrity barn style house and wanted to say this

if your house is a mansion it is not sustainable

You can’t convince me you need more than two rooms in your house - one for sleeping and one for work. Okay, two rooms each person. For exercise - get outside, get some air or join the gym. Or get a garden, I think gardens are okay. Actually gardens are great.

Reflections - Hieroglyphs at The Point, 2021 by Mirena Rhee

Installation with 36 Giant Hands in Central Park, 2021

In response to the Lockdowns, I created a series of installations in Central Park, this is the third in the series.

Inspired by the Trees and Colors of Central Park.

This installation - Reflections - Hieroglyphs at The Point - is, of course, random on the very surface, the hands are randomly placed but a result of a long time of observation and working on ideas about the space in Central Park and especially the forms, the shapes of the trees, the colors of Earth and bark.

The Old Masters colors of the park ambushed with the sharp burst of Color in Acrylic Paint. It’s a bit of chemical burst, but as natural as the wavelengths of light are natural.

Just like randomness in the shapes of the trees and branches is only on the surface but follows an inner logic of growth and reach up to ultraviolet light, so is my installation a natural progression of many years of study as well as spontaneous work with the environment to create an ephemeral work, a temporary pigment, a visual language for one afternoon.

I call it ephemeral sign language. Hieroglyphs are made out of painted hands. Squiggles, and Graffiti. Reflected in the water.

They say Light doesn’t travel but ripples,

and doubles the World.

It makes us all, humans and trees,

tremble a little.

I love trees, the trees in Central park are really beautiful colors of the bark. My grandpa who was in forestry used to tell me to hug a tree when I was sick to get better. by Mirena Rhee

I love trees, the trees in Central park are really beautiful colors of the bark. My grandpa who was in forestry used to tell me to hug a tree when I was sick to get better. I made tree hugs installations, and plan to hand paint some tree cozies.

The Trees of Central Park, 2021

Tree Hugs Installations, 2021

Mirena Rhee - The Green New Deal by Mirena Rhee

Man-made natural environments have had a great impact on my life. The first half of my artistic career I spent as a commercial video game artist which involved mainly working on the computer creating artificial 3D worlds.

After a visit to the Zen Gardens in Kyoto, Japan, I gained an insight into my own human condition and a year afterward I became a minimalist living a minimalist lifestyle and decided to commit to very tactile practice like drawing, performance, installation, and human-centered art.

In 2015 I wrote a book titled Japanese Gardens: A Journey Into Zen where I developed a visual journey through the Zen Gardens in Kyoto through my own photographs and poems.

During the lockdowns in Manhattan in 2020, I turned to the plants and trees of Central Park for sanity and solace. There was a rooftop bar across to my studio in the middle of the glass skyscrapers which had completely overgrown and turned into a green urban garden oasis.

In response to the Lockdowns, our loneliness and isolation in the big city, in the Summer of 2020 and Spring of 2021, I created a series of installations in Central Park for the joy and entertainment of everyone.

In 2020 I created a series called Strawberry Fields Forever, Summer Playfields, Hands Crop Circle, and others as a response to the spaces and landscapes of Central Park.

In 2021 I continued working in Central Park and created a new series called Remember Summer where I worked with the muted colors of early spring in the park, with the trees and the larger scale landscapes. I created a series called Tree Hugs and also Reflections where I also engaged with large and small bodies of water.

My favorite story From the Power of Myth by Joseph Campbell: Don't build Yourself a Palace. A Castle in The Sky. by Mirena Rhee

From the Power of Myth by Joseph Campbell:

There is a wonderful story in one of the Upanishads about the god Indra. Now, it happened at this time that a great monster had enclosed all the waters of the earth, so there was a terrible drought, and the world was in a very bad condition. It took Indra quite a while to realize that he had a box of thunderbolts and that all he had to do was drop a thunderbolt on the monster and blow him up. When he did that, the waters flowed, and the world was refreshed, and Indra said, "What a great boy am I."

So, thinking, "What a great boy am I," Indra goes up to the cosmic mountain, which is the central mountain of the world, and decides to build a palace worthy of such as he. The main carpenter of the gods goes to work on it, and in very quick order he gets the palace into pretty good condition.

But every time Indra comes to inspect it, he has bigger ideas about how splendid and grandiose the palace should be. Finally, the carpenter says, "My god, we are both immortal, and there is no end to his desires. I am caught for eternity." So he decides to go to Brahma, the creator god, and complain.

Brahma sits on a lotus, the symbol of divine energy and divine grace. The lotus grows from the navel of Vishnu, who is the sleeping god, whose dream is the universe. So the carpenter comes to the edge of the great lotus pond of the universe and tells his story to Brahma. Brahma says, "You go home. I will fix this up." Brahma gets off his lotus and kneels down to address sleeping Vishnu. Vishnu just makes a gesture and says something like, "Listen, fly, something is going to happen.”

Next morning, at the gate of the palace that is being built, there appears a beautiful blue-black boy with a lot of children around him, just admiring his beauty. The porter at the gate of the new palace goes running to Indra, and Indra says, "Well, bring in the boy.” The boy is brought in and Indra, the king god, sitting on his throne, says, “Young man, welcome. And what brings you to my palace?”

”Well," says the boy with a voice like thunder rolling on the horizon. “I have been told that you are building such a palace as no Indra before you ever built."

And Indra says, "Indras before me, young man-what are you talking about!"

The boy says, "Indras before you. I have seen them come and go, come and go. Just think, Vishnu sleeps in the cosmic Ocean, and the lotus of the universe grows from his navel. On the lotus sits Brahma, the creator. Brahma opens his eyes, and a world comes into being, governed by an Indra. Brahma closes his eyes, and a world goes out of being. The life of a Brahma is four hundred and thirty thousand years. When he dies, the lotus goes back, and another lotus is formed, and another Brahma. Then think of the galaxies beyond galaxies in infinite space, each a lotus, with a Brahma sitting on it, opening his eyes, closing his eyes. And Indras? There may be wise men in your court who would volunteer to count the drops of water in the oceans of the world or the grains of sand on the beaches, but no one would count those Brahmin, let alone those Indras."

While the boy is talking, an army of ants parades across the floor. The boy laughs when he sees them, and Indra's hair stands on end, and he says to the boy, "Why do you laugh?"

The boy answers, "Don't ask unless you are willing to be hurt." Indra says, "I ask. Teach." (That, by the way, is a good Oriental idea: you don't teach until you are asked. You don't force your mission down people's throats.)

And so the boy points to the ants and says, "Former Indras all. Through many lifetimes they rise from the lowest conditions to highest illumination And then they drop their thunderbolt on a monster, and they think, 'What a good boy am I.' And down they go again.

While the boy is talking, a crotchety old yogi comes into the palace with a banana leaf parasol. He is naked except for a loincloth, and on his chest is a little disk of hair, and half the hairs in the middle have all dropped out. The boy greets him and asks him just what Indra was about to ask. "Old man, what is your name? Where do you come from? Where is your family? Where is your house? And what is the meaning of this curious constellation of hair on your chest!"

"Well," says the old fella, "my name is Hairy. I don't have a house. Life is too short for that. I just have this parasol. I don't have a family. I just meditate on Vishnu's feet, and think of eternity, and how passing time is. You know, every time an Indra dies, a world disappears - these things just flash by like that. Every time an Indra dies, one hair drops out of this circle on my chest. Half the hairs are gone now. Pretty soon they will all be gone. Life is short. Why build a house?"

Then the two disappear. The boy was Vishnu, the Lord Protector, and the old yogi was Shiva, the creator and destroyer of the world, who had just come for the instruction of Indra, who is simply a god of history but thinks he is the whole show.

Indra is sitting there on the throne, and he is completely disillusioned, completely shot. He calls the carpenter and says, "I'm quitting the building of this palace. You are dismissed." So the carpenter got his intention. He is dismissed from the job, and there is no more home building going on. Indra decides to go out and be a yogi and just meditate on the lotus feet of Vishnu.

……….

(Eventually) Indra gives up his idea of going out and becoming a yogi and finds that, in life, he can represent the eternal as a symbol, you might say, of the Brahma.

So each of us is, in a way, the Indra of his own life. You can make a choice, either to throw it all off and go into the forest to meditate, or to stay in the world, both in the life of your job, which is the kingly job of politics and achievement, and in the love life…