Directly from the Red Planet by Mirena Rhee

Underpainting or what they used to call dead coloring paying attention to the line.

Put everything on the canvas in ochre and meanwhile figuring out how to build out different surfaces. In oil I use the mass of the paint to build out rocks, here I want to use transparent glazes because they look more 3d dimensional in acrylics.

It's counter intuitive to use subsurface scattering for rocks but I want to paint jewels encrusted gold rather than dirt and stone.

Whenever I make art I make sure it measures up to the best I've seen at the Met, and has to answer the most important questions by Mirena Rhee

The question number one is why, is it meaningful, is it meaningful to me enough to get the fuck out of bed to do it and to keep me up at night.

Question number two is it archival, does it have the capacity to be around for 500 years.

The third question is, will it be compelling enough once I'm long dead for somebody to pick it up and keep it around.

How the fuck do I know what looks good? Of course I know, I go to where the best art in the world hangs, I look at it, and do the same and better.

I don't know what looks good objectively. But I do know what looks good subjectively. So the fourth question is does it look good? Does the composition work? Do the colors work? If I'm no longer around to vouch for it will anyone else find anything beautiful about it?

Often times I have to work with bad materials like acrylic paints but I do know that if I use pigments that have been around for say 2000 years that no matter what they are suspended in, they will work after 500 years just the same.

People think that artists work with paints, fuck no.

I work on my art in my mind and it's done long before I start doing it.

I always laugh when the tech bros start making art, they love having AI do it cuz they don't want to take responsibility for bad art. One of the things AI doesn't know though is how to do the wrong things and break the rules. A beautiful line is always a mistake, a fluke.

Also art has nothing to do with coloring and actually colorist was used as a derogatory name. It's all about the design, the disegno. The disegno of every single line in the painting.

Systematic algorithmic suppression of free speech. Systematic algorithmic dehumanization of society. Automatic algorithmic monopolization and synchronization of thought. The Fourth Reich by Mirena Rhee

Systematic algorithmic suppression of free speech.
Systematic algorithmic dehumanization of society.
Automatic algorithmic monopolization and synchronization of thought.
I call this the Fourth Reich.

Nothing to do with Germany of course but the dehumanization of society through corporate speech. Corporations are not people and do not have the inherent kindness of human beings. Their speech left unchecked via algorithmic proliferation creates the environment where human beings become less than the sum of their parts.